
I seriously WANT this shirt.
His death does make me think about the superstars I grew up worshipping in the 80s, and looking back at many of them is just depressing now. Michael Jackson is the most obvious tragedy, but don't forget the downfalls and tribulations of artists like Prince, Axl Rose, Whitney Houston, George Michael, and Michael Hutchence. That decade ate its young. When Madonna is the most sane and rational of the bunch that's fucked up.
While the song is great, the movie it comes from is pretty horrible. Two of a Kind was the hotly anticipated on-screen reunion with John Travolta, but the storyline involving an angry God bent on destroying the world unless angels portrayed by Scatman Crothers, Beatrice Straight and Charles Durning can find two honest souls is just God-awful. The dialogue is horrible and while they do their best with what they have, this is not a high point for either Travolta or Olivia. But do you think that stopped me? Heck no. I saw it at least twice in the theater and countless times on HBO.
So even if life does not always imitate art, you can be certain that it can sometimes imitate a great early Streisand album.
Some of our own pictures (not of Wolf Creek) coming in the next few days.




It's hard to believe that in about 32 hours, we will be leaving Iowa's comfortable confines and headed to Arizona and California (via Nebraska, Colorado and Utah) for two weeks. It seems like we aren't even close to ready, even though I know we are doing better than either of us are willing to admit. What I will admit to is a bit of apprehensiveness, but as someone pointed out to me today, driving vacations can be so much fun, because it is the thrill of the open road. This, not surprisingly, made me think of the Gary Barlow song of the same name.
I met up with my friend Matt last night to go to see I Love You, Man at the dollar theater. It had been quite a while since we had been to see a cheap movie there - I think the last one was Indiana Jones & the Kingdom of the Crystal Skull. I Love You, Man was kind of one of those movies that I really wanted to go see, but just couldn't justify paying 8 bucks for when it was playing in the first-run theater.
Although the critics pretty much universally hated it, I am actually very fond of Straight Talk, both the movie and the soundtrack. The basic premise is that Dolly is Shirlee Kenyon, a country girl from Flat River, Arkansas with a loser of a boyfriend (played by Michael Madsen) who has just lost her job as a dance instructor. So she packs her bags and heads to Chicago where, through a series of completely improbable events, she is mistaken for the new radio psychologist at radio station WNDY. Put on the air with no prep, the audience, of course, loves her because she is so down to earth and well, it's DOLLY PARTON giving out advice. The radio station gives her a contract, as long as she agrees to call herself "Dr. Shirlee." Enter James Woods as an investigative reporter who thinks the whole thing smells fishy. In trying to uncover the scam, he falls in love with her.
I remember buying this soundtrack before I ever saw the movie. Comprised entirely of Dolly Parton originals, it was also the first Dolly Parton CD I bought completely on faith. During my first couple years of college I played the Dolly Parton's Greatest Hits cassette tape on my Walkman until it was practically shredded, and had checked out Eagle When She Flies from the library quite frequently. But up till then, I had not really purchased a whole lot of Dolly, especially if it was music I had not heard. I took the leap with the Straight Talk soundtrack; it was VERY much an impulse purchase.
I have managed, for the most part, to eliminate regular pop (that's what we call it here, as opposed to soda or Coke) from my diet over the last several years. It really is nothing more than liquid candy. This switch has been made all the easier thanks to Diet Mountain Dew, which really is nectar from the gods. The Diet Dew dispenser at work is out of order at least 40% of the time. I think it's because we're all addicts.
But this is post is not about all that. Yes, it is Mother's Day. But I don't want to talk about blood and guts and gore and crossdressing. I'm here to pay tribute to my own mom. A lot of my friends accuse me of having the coolest parents ever. And, well, it's all true. Look, she was even cool back in 1972 when posing for one of our first pictures together! (and looking at that picture, I am reminded that it is the Cullinan side to blame for the curly hair!)
I am going to join just about every blogger I know in celebrating the announcement of Kylie Minogue's North American tour! (best headline ever in that link.) Well, if you can call a 6-date run a "tour." Anyway, we can hardly bitch because Kylie has never once during her entire 21 year career seen fit to tour in the U.S. And really, I can't blame her all that much. The U.S. has been very lukewarm to Kylie, "The Locomotion" and "Can't Get You Out Of My Head" notwithstanding.
For the last 25 years, I have been lugging around boxes full of old MAD magazines that I collected as a kid. They run roughly from 1981-1986, but that is a damn lot of MAD magazines. MAD was such an essential part of my formative years that I have never been able to part with them. Consequently, they have stayed in the basement in boxes, barely ever looked at, but still there just in case.
As a result of the residual effects of the daddy-daughter dance, I bought Donna Summer's "Last Dance" on iTunes last night. Now don't misunderstand me, it's not as if I didn't already have that song in my iTunes. But the version I had was the one from Endless Summer, the umpteenth collection of Donna Summer's work from the 70s through the early 90s. It contains a horrendously edited version of "Last Dance", whittling it down to a meager 3:22. When I was listening to it after thinking about it the other night, it just seemed so, well...short.