I managed to get a copy of the Pet Shop Boys' remix of Madonna's next single "Sorry" and all I can say is that it exhibits everything that I love most about remixes. The structure of the song is not altered all that much, and it's still very heavy on Madonna's vocals. But they've beefed up the instrumentation plus added their own vocals to parts of it (Neil Tennant's very sorrowful "sorry, so sorry.." is just what the song needed.)Overall, "Sorry" is one of my favorite songs on Confessions On A Dance Floor, and I think it has the potential to be a Madonna classic in the vein of "Vogue" and "Into The Groove." That's the trouble with evaluating Madonna's latter-day music -- it always seems to suffer a little bit in comparison to her early hits. (i.e., pretty much everything on The Immaculate Collection.) And admittedly, there's a lot of it that isn't as strong as those early, effortless hits. While Erotica is probably still my favorite Madonna album, it's not nearly as accessible pop-wise as say True Blue is. And perhaps that's why radio hasn't really latched onto any Madonna single since the early 90s ("Take A Bow" and "Music" notwithstanding) as they did instantly to anything she released during the 80s.
I think what I love most about "Sorry" is how dramatic it is. Actually, it's probably more melodramatic than dramatic, but that's good pop music for you. From the initial voiceovers of "I'm sorry" in several different languages, to the minor key of the whole dang thing, it's just so damn dramatic, it really appeals to my inner 4.

